A Short Synopsis? Are You Kidding?

The dictionary defines synopsis as "a condensation or brief review of a subject: summary." 
Okay, I get it. You need to boil down the essence of your book so that you provide only the important information. Agents and editors don't have a lot of time to find out how much they need your masterpiece, so make it short. 

At PitchFest, agents asked me to send them my book along with a "short" summary. 
"Oh," I said, "like four pages?"
That evoked a head tilt with a wry smile. "No. Two pages. Double spaced."
"Oh." Gulp. "Fine." I forced a big smile. "No problem."

No Problem! I had four and a half single pages that had been whittled down (with extreme angst) from ten. How could I possibly hone down all that important information to two double-spaced pages. I threw my head down against my arms on my desk. Impossible!

Thankfully, I have cheerleaders--my writer's group. With their support, I worked and reworked the synopsis until I had it tamed to a reasonable length.

How did I do it? It wasn't easy. Good thing my kitties don't understand English. 

I checked out online resources with information about the short synopsis. (Because there is also a long synopsis.) See the links at the end. I tried to keep my thinking within the main plot, ignoring subplots, no matter how amazing they happened to be. I then wrote a super short outline that hit on the suspense, character interaction, and a hint of romance. From that outline, I tried to find those parts that were pertinent to the genre, Urban Fantasy/Paranormal. 

Finally, I had the basics, the information that showcased the story points. Next I tried to cut out the extra description. Whew! A lot of that. Then I needed to cut out superfluous words. That forced me to make the sentences more active. A good thing.

Of course, I still had too many words and so I had to delete more of my beautiful babies. Ouch! But I persisted, dried my tears, and prepared the finishing touches--writing the synopsis in the present tense, third person using my voice. 

I wanted the reader to view the synopsis through my protagonist's eyes so they could get the flavor of the book. When I finished, I had two double-spaced pages plus two lines. 

At present, I'm in waiting mode for the results of those submissions. But now that I have a nice short synopsis, and a query letter (that is another whole story), I'm all set. Right? Oh, no. One of the publishers asked for a back cover blurb and a one-sentence blurb (an elevator pitch). Eek! More work.

And, then, since I'm half-way through the second book in the series. . . .  You see where I'm going with this. 

For today, though, I'm simply going to concentrate on writing--one word at a time.

Synopsis examples

Synopsis tips for Literary Agents

Recipe for a Successful Synopsis
  

To Pitch Or Not To Pitch

This weekend, I’ll be joining hundreds of mystery writers and readers at the annual New England Crime Bake conference held in MA. This will be my fourth Crime Bake.

Although Mystery isn't my main genre, it’s a large part of what I write. Both of my books, the Paranormal, A Trace of Evil, and the Fantasy, The Watcher Clan, keep the reader guessing until the end. I haven't found genre to be a problem because most Crime Bake workshops are specifically geared to the writing process.

This year, I’m looking forward, albeit with a little trepidation, to one of the most helpful aspects of the conference, the Pitch session. Here is where the writer has a chance to pitch his book to agents and editors. Although the idea is wonderful, the reality is terrifying. In five minutes, the writer has to pitch an evocative summary of his book and be ready to answer questions about the whole thing.

During my first pitch session, the agent listened to my summary and then asked about the plot points throughout the book, including the ending. I tried to tell the whole story in what was left of the five minutes but kept forgetting parts I thought she needed to know. I felt sick.

But, here’s the good news. Agents/editors are not looking for the writer to fail. They want us to succeed because they’re looking for new writers. When I finished my pitch, the agent gave me a great deal of positive reinforcement and excellent suggestions. She then asked me to send in a chapter of the book.

To be successful, all I have to do is prepare. I've been trying to list out the high points in the story that will give the best overview. The whole exercise has my nerves singing. This will be the fourth time I’m pitching and it feels as scary as the first. When I signed up for this a few months ago, it seemed like such a good idea. Now, a few days away from the reality, I’m having second thoughts.

Despite my previous brave words, I’m beginning to feel the angst. I guess the process of pitching my baby to someone will never be easy. I’ll just have to rely on the fact that I've done it before and lived to talk about it.

How about you? How do you feel about pitching?

New EnglandCrime Bake 2013