Find Your Writing Niche

While I was getting a short horror story ready for a contest this week, Black Petals, an online ezine, accepted one of my other horror stories.

I am so excited, it's difficult to conduct my regular life. I found myself giggling at work this morning, all the angst of writing forgotten for a brief celebratory moment. However, sanity is returning. With validation for my work, I'm doubly determined to edit and send out my manuscripts. 2015 will be my year.

One thing I've learned through the process of sending out my babies, is to pay strict attention to the type of writing that agencies accept. In my initial foray into magazines, I thought all horror was the same. Oh, pity this foolish woman. 

The contest I just entered gave the following categories of horror: gothic, dark fantasy, erotic, noir, psychological, quiet/soft, and suspense. Wow! I had no idea in which group my story fell. 

 

The choice of an online magazine that might consider my work was difficult. When I read through representative stories looking at the writing style, obvious sub-genre differences leaped out at me. I crossed those off my list.

Similarly, when choosing a place to submit my books, I've been told to look for books like mine and see who published them. If a publisher is making money from a certain type of book, they'll be looking for more of the same.

I've also gotten good ideas about places to submit my work from my online writing groups, SinC, Guppies, RWA, FF&P. It pays to become part of a writing community whose members have succeeded. Most authors are generous and enjoy helping out the newbies. 

My biggest asset has been my in-person writing group. We meet weekly, discuss our work, pass on writing tips, and cheer each other on. The ezine who accepted my story came from one of their tips. 

It's all about finding your niche, finishing your manuscript, and sending out.

Have a wonderful holiday.

And always -- Keep writing!

Short Story Conundrum

I have two manuscripts in the editing mode, one Paranormal and one Urban Fantasy. I've won three Flash Fiction contests. Why, then, do I have so much trouble writing Short Stories?

I have actually written two short stories, both rejected, one of them multiple times. I agonized over both stories. What am I doing wrong?

In my longer work, I'm able to pull together a plot and then fill it in. I'm a pantser, so any kind of an outline is out of the question. When I try to use the same tactic with a short story, it doesn't work.

Right now, I'm in the process of constructing a short story, a paranormal mystery, but it isn't coming together.

One problem I've discovered with my shorts is that I haven't fleshed out my characters very much. So, without knowing who they are, it's difficult to know how they'll act. Why is the villain a villain? What makes the protagonist worth befriending or saving? Does the hero have anything more going for him than his good looks?

I know. I know. Of course I should have all that information in hand before attempting to flesh out the story. How else can I make the reader care? But, if I'm able to get all of that information into a story, how long will it be?

I actually have a good back story and motivation for my protagonist. One of her supporting characters is her aunt. (not fleshed out) I'd like to introduce another supporting character in the form of a peer/friend. Okay, how many words will this use? I still haven't taken into account the hero, villain, or red herring characters. And, then there's the plot. How heavy can I make it and still keep it short? I don't know. That's my problem.

Maxi

Mini

Also, what about length? What is a good length for short stories? I know that they can go from flash to novella, but what do readers prefer? Length matters. 

There are any number of websites where I can find information on short stories. 5 Short Story Tips, Short Story - longer explanation, Some Rules and Tools to name a few. These websites contain excellent advice. But, I still need more help.

So, I've begun an online Short Story workshop. I'm hoping for some guidance, any guidance at all. Maybe if I'm able to ask the instructor specific questions, I'll understand where I can improve. Or, maybe, I just don't have a good short story in me.

I have lots of ideas. That isn't the problem. Transferring the ideas to viable stories in a few thousand words is the what cause me heartburn. 

Maybe I'll try to write flash fiction and then add depth to that. I actually have one flash fiction story that I'd like to flesh out. I might give that a try. 

Both of my previous stories have been horror. I'd like to write something in a mystery or thriller.  I've wondered if the genre change could be what's tripping me up. I'd like to think, but my horror stories haven't gone anywhere. 

The more I think about it, the more confused I feel. In any case, I intend to keep trying. More research, more practice, and some plain old stick-to-itiveness will bring about success. I hope!

In the meantime, I'll take my own advice. Keep Writing!

A Short Synopsis? Are You Kidding?

The dictionary defines synopsis as "a condensation or brief review of a subject: summary." 
Okay, I get it. You need to boil down the essence of your book so that you provide only the important information. Agents and editors don't have a lot of time to find out how much they need your masterpiece, so make it short. 

At PitchFest, agents asked me to send them my book along with a "short" summary. 
"Oh," I said, "like four pages?"
That evoked a head tilt with a wry smile. "No. Two pages. Double spaced."
"Oh." Gulp. "Fine." I forced a big smile. "No problem."

No Problem! I had four and a half single pages that had been whittled down (with extreme angst) from ten. How could I possibly hone down all that important information to two double-spaced pages. I threw my head down against my arms on my desk. Impossible!

Thankfully, I have cheerleaders--my writer's group. With their support, I worked and reworked the synopsis until I had it tamed to a reasonable length.

How did I do it? It wasn't easy. Good thing my kitties don't understand English. 

I checked out online resources with information about the short synopsis. (Because there is also a long synopsis.) See the links at the end. I tried to keep my thinking within the main plot, ignoring subplots, no matter how amazing they happened to be. I then wrote a super short outline that hit on the suspense, character interaction, and a hint of romance. From that outline, I tried to find those parts that were pertinent to the genre, Urban Fantasy/Paranormal. 

Finally, I had the basics, the information that showcased the story points. Next I tried to cut out the extra description. Whew! A lot of that. Then I needed to cut out superfluous words. That forced me to make the sentences more active. A good thing.

Of course, I still had too many words and so I had to delete more of my beautiful babies. Ouch! But I persisted, dried my tears, and prepared the finishing touches--writing the synopsis in the present tense, third person using my voice. 

I wanted the reader to view the synopsis through my protagonist's eyes so they could get the flavor of the book. When I finished, I had two double-spaced pages plus two lines. 

At present, I'm in waiting mode for the results of those submissions. But now that I have a nice short synopsis, and a query letter (that is another whole story), I'm all set. Right? Oh, no. One of the publishers asked for a back cover blurb and a one-sentence blurb (an elevator pitch). Eek! More work.

And, then, since I'm half-way through the second book in the series. . . .  You see where I'm going with this. 

For today, though, I'm simply going to concentrate on writing--one word at a time.

Synopsis examples

Synopsis tips for Literary Agents

Recipe for a Successful Synopsis
  

To Pitch Or Not To Pitch

This weekend, I’ll be joining hundreds of mystery writers and readers at the annual New England Crime Bake conference held in MA. This will be my fourth Crime Bake.

Although Mystery isn't my main genre, it’s a large part of what I write. Both of my books, the Paranormal, A Trace of Evil, and the Fantasy, The Watcher Clan, keep the reader guessing until the end. I haven't found genre to be a problem because most Crime Bake workshops are specifically geared to the writing process.

This year, I’m looking forward, albeit with a little trepidation, to one of the most helpful aspects of the conference, the Pitch session. Here is where the writer has a chance to pitch his book to agents and editors. Although the idea is wonderful, the reality is terrifying. In five minutes, the writer has to pitch an evocative summary of his book and be ready to answer questions about the whole thing.

During my first pitch session, the agent listened to my summary and then asked about the plot points throughout the book, including the ending. I tried to tell the whole story in what was left of the five minutes but kept forgetting parts I thought she needed to know. I felt sick.

But, here’s the good news. Agents/editors are not looking for the writer to fail. They want us to succeed because they’re looking for new writers. When I finished my pitch, the agent gave me a great deal of positive reinforcement and excellent suggestions. She then asked me to send in a chapter of the book.

To be successful, all I have to do is prepare. I've been trying to list out the high points in the story that will give the best overview. The whole exercise has my nerves singing. This will be the fourth time I’m pitching and it feels as scary as the first. When I signed up for this a few months ago, it seemed like such a good idea. Now, a few days away from the reality, I’m having second thoughts.

Despite my previous brave words, I’m beginning to feel the angst. I guess the process of pitching my baby to someone will never be easy. I’ll just have to rely on the fact that I've done it before and lived to talk about it.

How about you? How do you feel about pitching?

New EnglandCrime Bake 2013